Here’s our vocal with multiband compression applied: The solution is multiband compression. Set it up properly, and it will reduce the low end of the vocal when it’s too boomy, but leave it alone when it sounds fine. And your client just texted you, asking if he can swing by in an hour to listen to the mix… You could try automating an EQ – cutting low end only where it’s needed.
The words that were too boomy (“in the orb,” “light,” “down”) certainly sound better, but the parts of the performance that were fine to begin with (“a face of,” “smiling”) now sound too thin. Here’s the vocal track above, with a 7 dB cut at 170 Hz: You could try to tame the excessive low end with EQ, but this will change the sound of the entire performance. Notice that the vocal sounds fine in certain spots, but excessively boomy in others (“in the orb,” “light,” “down”). So what do you do? Here’s an example of what this might sound like: During the recording, the singer was swaying back and forth in front of the microphone. Imagine you’re mixing a track with a poorly-recorded vocal (not too hard to imagine, eh?).
Why might this be useful? Well, I’m glad you asked… Why Should I Use Multiband Compression? You can choose to compress only a certain part of a track’s frequency spectrum, or apply different flavors of compression to several areas of the spectrum. If you have any questions, please post them in the comments and/or send me a personal message.What’s the best multiband compressor plugin? Click here to find out… What Is Multiband Compression?Ī multiband compressor allows you to split a track into different frequency ranges (called “bands”) and compress them independently. I hope this tutorial has been of great value to you. So remember to save this “preset” as your own and tweak it to fit any project you work on.Īnd remember, if all of this processing doesn’t work, you can always layer another kick. If one “element” is louder than the other, one of them will surely get “lost” in the mix.
We need to “balance out” each track’s dynamics because they are all competing for the spotlight. This is why I take care of EQ first and then use compression to finalize my track.Īs much as I’d love having my instruments showcase their full dynamic range… All that hard work spent EQing your kick will now become audible to your listeners. I guarantee that using this compression setting, your kick drums will officially be “cutting” through your mix.
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